{"id":38,"date":"2014-01-10T23:39:02","date_gmt":"2014-01-10T23:39:02","guid":{"rendered":"http:\/\/localhost\/ciamidi\/?page_id=38"},"modified":"2024-02-26T21:19:00","modified_gmt":"2024-02-26T21:19:00","slug":"terror-miseria-del-tercer-reich","status":"publish","type":"page","link":"https:\/\/ciamidi.com\/?page_id=38","title":{"rendered":"Terror y Miseria del Tercer Reich"},"content":{"rendered":"<h1><span style=\"text-decoration: underline; color: #000000;\">de Bertolt BRECHT<\/span><\/h1>\n<h1>\u00a0<\/h1>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Horror y Farsa del Tercer Reich - Trailer\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/hDJXfaKbTz8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-columns has-2-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>G\u00e9nero:<\/strong><\/h2>\n\n\n\n<p>Drama sat\u00edrico en 10 cuadros.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>&nbsp;Historia:<\/strong><\/h2>\n\n\n\n<p><em>Terror y Miseria del tercer Reich<\/em> fue escrito por Brecht seg\u00fan relatos de testigos y art\u00edculos de prensa. Brecht retrata la sociedad alemana, de la llegada de Hitler al poder hasta el principio de la segunda guerra mundial, con sus mecanismos diarios de intimidaci\u00f3n, de denunciaci\u00f3n, de propaganda y de corrupci\u00f3n, pero tambi\u00e9n con sus revueltas y su resistencia naciente. Pasa revista a todas las capas sociales, del profesor hasta el cirujano, sin olvidar el soldado o el obrero.<\/p>\n\n\n\n<p>Estas escenas hablan de la gente ordinar\u00eda, cuyos cr\u00edmenes y sufrimientos hoy son olvidados, para hacer un espect\u00e1culo c\u00ednico, emocionante y a menudo divertido.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">&nbsp;<strong>Extractos de prensa:<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&nbsp;\u00ab&nbsp;Mezquindad, cobard\u00eda, valor y humor en una direcci\u00f3n creativa y sobr\u00eda.&nbsp;\u00bb <strong>LIBERATION<\/strong><\/li>\n\n\n\n<li>\u00ab&nbsp;La tendencia de la direcci\u00f3n, creando situaciones chistosas, nos lleva a re\u00edr de lo insoportable. Un buen momento de teatro. \u00bb <strong>LE MONDE<\/strong><\/li>\n\n\n\n<li>\u00ab Una idea genial de una tropa desde todos los puntos de vista perfecta. Los actores act\u00faan con finura en todos los g\u00e9neros.&nbsp;\u00bb<strong>LA PROVENCE&nbsp; <\/strong><\/li>\n\n\n\n<li><strong> <\/strong>\u00ab&nbsp;El mensaje de Brecht est\u00e1 bien entendido en esta formidable decimoquinta producci\u00f3n de la compa\u00f1\u00eda Midi que quiere ense\u00f1ar obras comprometidas y que construye, con el paso del tiempo, un teatro vivo y militante.&nbsp;\u00bb <strong>LA MARSEILLAISE<\/strong><\/li>\n\n\n\n<li>\u00ab&nbsp;Para los que quieren el buen teatro, junto a una escenograf\u00eda lograda y una actuaci\u00f3n excelente. A ver.&nbsp;\u00bb <strong>LA REVUE DU SPECTACLE<\/strong><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Equipo :<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Direcci\u00f3n: Antoine Chalard <\/li>\n\n\n\n<li>Elenco: Gabriela Betancourt, Esperanza Penagos, Leopoldo Bernal, Antoine Chalard, Reiner Lopez y Florent Malburet&nbsp; <\/li>\n\n\n\n<li>Escenograf\u00eda: Andre Chalard <\/li>\n\n\n\n<li>Vestuario: Sophie Ta\u00efs <\/li>\n\n\n\n<li>Cartel: Mireille y Patrice Leroy <\/li>\n\n\n\n<li>Creacci\u00f3n m\u00fasical: Manon Leroy <\/li>\n\n\n\n<li>Piano: Nikola Takov <\/li>\n\n\n\n<li>Creacci\u00f3n de la luz: Aurelien Amsellem<\/li>\n\n\n\n<li>Iluminaci\u00f3n: Omar Sanchez<\/li>\n\n\n\n<li>Fotos: Elsa Medina<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Lugares de Funciones: <\/strong><\/h2>\n\n\n\n<p><strong>Mexico<\/strong>: <\/p>\n\n\n\n<p>CDMX:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Teatro de la Ciudadela<\/li>\n\n\n\n<li>Teatro Escenario Justo Sierra (Unam)<\/li>\n\n\n\n<li>Teatro Maria Teresa Montoya<\/li>\n\n\n\n<li>Foro Coyoacense<\/li>\n\n\n\n<li>Foro Ana Maria Hernandez<\/li>\n\n\n\n<li>Alianza francesa de Polanco<\/li>\n\n\n\n<li>Liceo franco-mexicano de Polanco <\/li>\n<\/ul>\n\n\n\n<p>\n\nGuadalajara: Liceo franco-mexicano &nbsp; \n\n<\/p>\n\n\n\n<p> <strong>Francia<\/strong>: 100 funciones&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p> <strong>Isla de la Reuni\u00f3n (\u00c1frica)<\/strong>: 3 funciones <\/p>\n\n\n\n<h1 class=\"wp-block-heading\"><a href=\"http:\/\/ciamidi.com\/?page_id=454\">Ver la carpeta<\/a><\/h1>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/afficheb7.jpg\" alt=\"\" class=\"wp-image-447\" width=\"NaN\" height=\"NaN\" srcset=\"https:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/afficheb7.jpg 591w, https:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/afficheb7-200x300.jpg 200w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/chivato-2.jpg\" alt=\"\" class=\"wp-image-543\" width=\"NaN\" height=\"NaN\" srcset=\"https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/chivato-2.jpg 591w, https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/chivato-2-300x223.jpg 300w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-22.jpg\" alt=\"\" class=\"wp-image-432\" width=\"NaN\" height=\"NaN\" srcset=\"https:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-22.jpg 591w, https:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-22-300x243.jpg 300w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/comunidad-nacional.jpg\" alt=\"\" class=\"wp-image-544\" width=\"NaN\" height=\"NaN\" srcset=\"https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/comunidad-nacional.jpg 591w, https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/comunidad-nacional-300x189.jpg 300w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/cruz-de-tiza-2.jpg\" alt=\"\" class=\"wp-image-545\" width=\"NaN\" height=\"NaN\" srcset=\"https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/cruz-de-tiza-2.jpg 591w, https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/cruz-de-tiza-2-300x207.jpg 300w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/chivato-1.jpg\" alt=\"\" class=\"wp-image-542\" width=\"NaN\" height=\"NaN\" srcset=\"https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/chivato-1.jpg 591w, https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/chivato-1-300x169.jpg 300w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-62.jpg\" alt=\"\" class=\"wp-image-436\" width=\"NaN\" height=\"NaN\" srcset=\"https:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-62.jpg 591w, https:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-62-300x187.jpg 300w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/montage-cruz-de-tiza.jpg\" alt=\"\" class=\"wp-image-547\" width=\"NaN\" height=\"NaN\" srcset=\"https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/montage-cruz-de-tiza.jpg 591w, https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/montage-cruz-de-tiza-300x205.jpg 300w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/montage-consigna.jpg\" alt=\"\" class=\"wp-image-546\" width=\"NaN\" height=\"NaN\" srcset=\"https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/montage-consigna.jpg 591w, https:\/\/ciamidi.com\/wp-content\/uploads\/2015\/03\/montage-consigna-300x150.jpg 300w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-82.jpg\" alt=\"\" class=\"wp-image-438\" width=\"NaN\" height=\"NaN\" srcset=\"https:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-82.jpg 591w, https:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-82-300x251.jpg 300w\" sizes=\"(max-width: 591px) 100vw, 591px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-9b.jpg\" alt=\"\" class=\"wp-image-118\" width=\"NaN\" height=\"NaN\" srcset=\"https:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-9b.jpg 472w, https:\/\/ciamidi.com\/wp-content\/uploads\/2014\/01\/photo-9b-212x300.jpg 212w\" sizes=\"(max-width: 472px) 100vw, 472px\" \/><\/figure>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>de Bertolt BRECHT \u00a0 G\u00e9nero: Drama sat\u00edrico en 10 cuadros. &nbsp;Historia: Terror y Miseria del tercer Reich fue escrito por Brecht seg\u00fan relatos de testigos y art\u00edculos de prensa. Brecht retrata la sociedad alemana, de la llegada de Hitler al &hellip; <a href=\"https:\/\/ciamidi.com\/?page_id=38\">Sigue leyendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":447,"parent":36,"menu_order":2,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-38","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/ciamidi.com\/index.php?rest_route=\/wp\/v2\/pages\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ciamidi.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ciamidi.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ciamidi.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ciamidi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38"}],"version-history":[{"count":44,"href":"https:\/\/ciamidi.com\/index.php?rest_route=\/wp\/v2\/pages\/38\/revisions"}],"predecessor-version":[{"id":1137,"href":"https:\/\/ciamidi.com\/index.php?rest_route=\/wp\/v2\/pages\/38\/revisions\/1137"}],"up":[{"embeddable":true,"href":"https:\/\/ciamidi.com\/index.php?rest_route=\/wp\/v2\/pages\/36"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ciamidi.com\/index.php?rest_route=\/wp\/v2\/media\/447"}],"wp:attachment":[{"href":"https:\/\/ciamidi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}